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GUNDEGA
SMITE
b.
1977
NN, 2012/3
world premiere 2013 |
"The
search for my inner world of sound seems an eternal one and
it is difficult to explain the process… like a slow deep
dive… Deeper even into the unknown, not yet felt... Sound,
words, silence – all of it truly phenomenal – open
to unending possibilities…" Gundega
Šmite
Gundega
Šmite was born on June 5th, 1977, in Riga. She
studied at the Jazeps Medinš College of Music (1992–1998),
and also at the Latvian Academy of Culture in the screen and
stage theatre art department (1996–1997). In 1998, she
began studies at the Vitols Latvian Academy of Music in the
composition department with Peteris Plakidis, under whose
direction she received her Bachelor’s degree in 2005
and Master’s degree in 2007. She
worked as a music theory and piano teacher at the Kekavas
Music School (1999–2000), and as organist at the St.
John’s Congregation in Philadelphia, USA (2001–02).
She was also a teacher at the St. John’s Congregation
Latvian School in Philadelphia and later was teacher of music
literature at the Riga Music School No. 3 (2002), and as of
2005, she works as a teacher of composition at the Daugavpils
College of Music. For her work Parvertibas (Transformations)
she won first prize at the Latvian Academy of Music competition
(1999) and gained a World Federation of Free Latvians Cultural
Foundation recognition certificate for her works Atgriešanas
(Homecoming) and Atnakot (Arriving, 2001). She gained 6th
place at the 2005 International Rostrum for Composers competition
for composers younger than 30, 2nd place (no first place was
awarded) at the festival Culturescapes international young
composers’ competition (for the work Isochasma, 2006),
and received the Talivaldis Keninš Award (2006). She
took part in the 5th International Latvian Music Camp at Ogre
and also at the Baltic Young Composers’ Mastercourses
at Dundaga, and the Academic d’Villecroze in France.
In the 2005/2006 academic year, as part of the Socratus Erasmus
exchange program, she supplemented her education with studies
at the J. Sibelius Academy of Music with Veli-Matti Puumala.
Her works have been performed in Latvia, Lithuania, Switzerland,
Austria, France, Germany, Japan, the U.S.A. and New Zealand.
She is a member of the Latvian Composers’ Union (as
of 2006), chairman of the board (as of 2009).
©
LMIC, http://www.musicabaltica.com/
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ANASTASIJA
KADISA
b.
1985
Paranoia, 2012
for tenor/countertenor, recorder and tape
world premiere Musik-Akademie Basel, 6/2012 |
Anastasija
Kadiša was born in Jurmala (Latvia) in 1985. Since
the age of eight she began to study music professionally by
starting to play piano at the Music School of Jurmala with Maija
Berzina and after with Irene Štrause later getting a diploma
as pianist. Meanwhile she gradually got interested in musical
composition writing her first pieces under the supervision of
the composer Rihards Dubra. In 2005 she continues her studies
in composition at Jazeps Vitols Latvian Music Academy by the
composer Juris Karlsons obtaining a 4-year bachelor degree in
music composition in 2009. Still in her bachelor she received
the Olgerts Ziverss Prize in piano, while, in 2007, she also
took part in the International Piano festival in Vilnius, Lithuania.
In 2008/2009 within the framework of the Socrates Erasmus Program
she studied composition at the Music high school in Cologne
with the composer Krzysztof Meyer. In 2009 she attended the
Music Visualization Laboratory in Vilnius which is part of the
music laboratory network THE PROCESS. Since 2007, she participated
in the Next Generation master classes organized within the Donaueschinger
Musiktage in Donaueschingen, Germany as well as in the contemporary
music festival Brücken in Rostock, Germany. Since 2011
she is member of the Latvian Composer Union. Compositions of
Anastasija Kadiša were performed in several contemporary
music festivals in Latvia (New Latvian Music Days), Lithuania
(Vilniaus Veidai), Germany (Brücken and The Next Generation)
and Switzerland. At the moment she is working towards her master
degree in composition and music theory at the Music Academy
of Basel, Switzerland by Prof. Georg Friedrich Haas. |
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JURIS
ABOLS
b.
1950
An Goethe, 2012
for tenor/countertenor, recorder commissioned by UMS 'n JIP
world premiere Riga, 3/2012 |
"The
life of a person is involved with perpetual cognition. That
materialisation does not allow me to repeat myself in my music.
Onward! Our era’s realities are quixotic, if I desire,
I can join a large mob carrying weapons; there is not much difference
between a Dadaist and a journalist – or, how many of the
greats thought – Dada is all. All is dada. Still, only
faith can separate the adequateness of the reflection of reality.
It is good, if it is larger than a mustard seed, since today
any text does not make much sense – mankind, which, from
its own experience, has not learned anything in ten thousand
years – in reality, is tormented by the same two questions,
as in the Palaeolithic Era: What to do? And: Who is at fault?...
That is why I do not try to complicate or beautify my aesthetic
problems – if only for necessity’s sake –
but I still do place a great awareness on the quality of information.
My consciousness tells me everything that I need to know directly
and – aesthetic daring – getting to know those actual
facts, which are ridiculed by people... To review a person’s
cultural-historical experience is difficult. But it is beautiful...
I do not crave beauty – that is why I do not compose very
much." Juris Abols
The composer Juris Abols was born on April
16th, 1950, in Riga, to the family of painter Ojars Abols and
linguist Mirdza Abola. He completed the Latvian State Conservatory
(now the Academy of Music) in the flute class of Janis Morics,
receiving his diploma in teaching and concert performance (1972)
and the composition class of Adolfs Skulte (1982); after that
he worked as a free-lance artist. He performed in the Latvian
National Opera Orchestra (1976–1978). In the period of
independence renewal, he worked in the field of journalism,
and he performed in a piano trio together with composer Edmunds
Goldšteins and violinist Janis Bulavs, performing classical,
the music of Latvian composers, as well as his own music. In
1988/1989, he recorded and produced the record Smilšu laiks
(Time of Sand) as a testament to this collaboration. From 1998
until 2005, he worked as an organist in Strasbourg, France,
involving himself in the sphere of Catholic Church music. As
of 1987, he is a member of the Latvian Composers’ Union.
From his father he inherited a philosophical world view, which
is centred in humanism and the observation of the world’s
social process - the complicated interconnections, contexts
and cross-cuts. Beginning already with his first approbated
works (Piecas latviešu dejas [Five Latvian Dances], Prelude
and Toccata) the thematic centre is – thoughts of people,
their inner world, reaching into the deepest depths of consciousness,
to which are dedicated a considerable, psychedelically centred
plethora of compositions since the beginning of the 80s. Here
he has learned from Luciano Berio and Mauricio Kagel, but still
holding on to his own individual style – experimenting
with the human voice in many difference emotional situations,
using ancient deceased languages (Carmina byzantica, Normala
fiziologija [Normal Physiology] and others), exploiting a whole
five languages in one opus (Musu cilveks Beiczina (L’amiral
cherche une maison a louer) [Our Man in Beijing]. Altogether,
language is used on all levels – beginning with intonemes
materializing in the consciousness until their electronic transformation,
from the ancient Greek, Thracian, Assyrian language, to the
so-called imaginary languages, in the Dadaist lexicon, and finally
– his birth language with its dialects. Cultural history,
ancient culture and civilization expert: occasionally in his
works we see some cultural reference. He does not flee from
the most traditional means of music expression, for example,
the classical harmony school. He is interested in national cultures,
the historical and geographical parallels. In his free time
– ethnic genesis and ancient cultures, which research
resulted in the assembling of the Baltobalkanistikas Enciklopedijas
[Balto-Balkan Encyclopedia] (2002) and separate research manuscripts.
He researches regularly. Overall, he is a bitonalist and polytonalist.
Polystylist. At the end of the 90s, Dadaist opuses competed
with works composed in a traditional style; in 2004, to this
symbiosis electronica and folk-rock was added (Jautra sabiedriba
[Joyous Society]). The motifs are not particularly ironic; jeering,
sarcasm, absurd humour, especially at the time of the turn of
the century. Still, in this irony there is no evil; if ethics
prevails over aesthetics – then that is a cultural-history
experience of humanity or cultural process reward. The sounds
of his opuses can be tinted with a resigned, sad smile, along
with that, those enjoying his musical process are given the
question: But why?... J. Abols’ publications on cultural
problems are also found in the Latvian press and concert reviews.
His recordings – in the Latvian Radio sound recording
library, the Latvian National Library Music Division; manuscripts
– the Latvian National Library Music Division, the Latvian
Academy of Music sheet music library. Photo materials –
in the personal archives of composer Edmunds Goldšteins.
(Juris Abols, Marite Dombrovska)
http://www.musicabaltica.lv/en/autori/303,
Photo: Edmunds Mickus |
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INDRA
RISE
b.
1961
Meditation with Birds, 2012
for tenor/countertenor, recorder commissioned by UMS 'n JIP
world premiere Riga, 3/2012 |
Indra
Riše was born on June 11th, 1961 in Ogre, Latvia.
Having graduated from the Jazeps Vitols Latvian State Conservatory
as a pianist in 1985, Indra Riše turned her attention
to composing music and completed her second round of education,
graduating from professor Peteris Plakidis’ composition
class in 1990. In 1993, Indra Riše won the scholarship
of the Danish Ministry of Culture and went to Copenhagen,
where she continued her advancement in composition with Niels
Rosing-Schow and electro-acoustic composition with Ivar Frounberg.
Thus she was the first woman in Denmark who mastered a full
course in composition. An essential role in her education
was played also by: •
the Summer Workshop in New Technologies for Music Performance
and Composition, University of California, Berkeley (1995);
•
IRCAM Summer Academy in Paris (1999); •
Opera Academy, Oslo (2001); •
International Composer’s Center, Visby, Gotland (2004).
Indra
Riše stayed in Denmark until 2002, composing commissioned
works and periodically working as a music copyist and arranger
for various orchestras for the Copenhagen Royal Opera, the
Samfundet sheet music publisher, and Danish Radio. Indra Riše
has written also piano scores from dramatic-musical works
by Danish composers (Ib Nørholm, Erik Norby). Since
2002, Indra Riše has been living in Latvia and is active
as a composer, revealing her locally and internationally polished
talent in a comprehensive variety of genres, from songs for
choirs, chamber music and electronic works to symphonic and
vocal-symphonic scores. Indra
Riše has two dedicated CDs (released in1998 and 2000).
The
compositions by Indra Riše have been played at festivals
and concerts in Baltic States, Scandinavian countries, Germany,
United Kingdom, Russia and elsewhere.
http://www.music.lv/Composers/Rise/default.htm
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MARINA
GRIBINCHIKA
b.
1966
La Luna, 2011/12
for countertenor, recorders and bells, commissioned by UMS 'n
JIP
world premiere Riga, 3/2012 |
"I
do not think that my music means anything to anyone else –
I simply enjoy the process of composition."
Marina Gribincika was born August 9th, 1966,
in a village in the Volinia region in the Ukraine. She completed
the Jazeps Medinš College of Music in the composition department
(1986) and the Latvian Academy of Music, gaining her bachelor’s
degree (1992) and master’s degree (2004) in composition.
From 1990 to 1998, she participated in young composers’
seminars in the Art House in Ivanov, Russia. From 1995 to 1997,
she trained in composition with Sergei Berinski in Moscow.
She was a teacher of composition and theory at the Pavuls Jurjans
Children’s Music School in Riga (1989–1992), solfeggio
and piano teacher in the creative organisation VAKS, the Riga
Musical Theatre Actors’ School (1993–1995), a composer
at the Riga Musical Theatre (1995–1998), teacher of solfeggio
at the Riga 4th Music School (1999–2000). As of 2000,
she works as a solfeggio and composition teacher at the Emils
Darzinš College of Music.
The composer was awarded the Russian (1995–1996) and Moscow
Composers’ Union scholarship (1996–1997). As of
1994, M. Gribincika is a member of the Russian Composers’
Union, as of 1996, a member of the Latvian Composers’
Union. The composer’s music frequently is performed at
concerts and festivals.
http://www.makslinieki.lv/profile/592/ |
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OSKARS
HERLINS
b.
1980
Implosion, 2012
commissioned by UMS 'n JIP
world premiere Riga, 3/2012 |
Oskars Herlins created his first compositions
using a PC ZX-Spectrum 128 which has 3 audio channels and 8-bit
sound. Few years later he started to play the electric guitar,
formed several rock bands, and wrote music for them. During
this time Herlins took private trumpet lessons under the guidance
of a trombonist and wind band conductor Dimitrijs Grozovs. In
2001 Herlins started to study the philosophy at the University
of Latvia and graduated in 2007 gaining master’s degree.
From 2004 to 2008 Herlins studied composition under the supervision
of a composer Maija Einfelde at the night music school ‘Ridze’.
After the graduation he participated in master classes for young
musicians held in Ogre, Latvia, where a composition contest
was organized and Musica Baltica publishing house awarded a
prize for his piece ‘Etide diviem’ (‘Etude
for Two’) – publication of the piece. In 2008 Herlins
took private lessons in composition under the supervision of
composer Imants Mearaups. Oskars Herlins studied electronic
music under David Mondrup’s supervision at the Engelsholm
Folk High School in Denmark for two semesters in 2009 and 2010.
A piece ‘Through Imaginary Worlds’ composed by Herlins
was among the five winners of the electronic music composition
contest Elektrochok 2009 held by the Academy of Music and Music
Communication in Esbjerg, Denmark. His vocal chamber piece ‘Tunsa,
ka-'annaka lam takun’ (‘You Will be Forgotten as
if You Never Existed’) won the 3rd place in a competition
called Valodas skana Tuvo Austrumu dzeja (‘Sound of Language
in Poetry of Middle East’), held within the framework
of Arena 2009 – festival of new music in Riga, Latvia.
He used poetry written by Mahmoud Darwish in this piece. In
2010 Oskars Herlins was enrolled at Jazeps Vitols Latvian Academy
of Music and started bachelor studies in composition under the
guidance of composer Rolands Kronlaks. In 2011 his vocal chamber
piece ‘Variations’ won the 2nd place in the competition
named Balss teatris (‘Voice Theatre’), held within
the framework of Arena 2011 festival of new music. In November
2011 Oskars Herlins participated in a master class in composition
(which is a part of Brücken (‘Bridges’) festival
held in Rostock, Germany) with Wolfgang Rihm as the residing
composer.
http://www.myspace.com/oskarsherlins |
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LAURA
GUSTOVSKA
b.
1986
Amount of Mountains, 2012
commissioned
by UMS 'n JIP
world premiere Riga, 3/2012 |
Laura
Gustovska is a Latvian composer of the newest age,
born on 1986. She started her musical studies as a tradicional
latvian music instrument – kokle – player. Later
on she finished studies in music theory and composition both
at highschool and music academy (studied at Romualds Kalsons
and Selga Mence). Gustovska is now studying for a master’s
degree in composition in Jazeps Vitols Latvian music academy.
Currently she is also a pedagogue in Liepaja music highschool.
Gustovska has written music for orchestra, choir, chamber ensembles
and electronics. Her music has been performed in several festivals
(Latvian new music days, electronic music festival Sound Forest)
and also has been in a laureate list of composition competitions
as creative work competition of children choral songs Who we
are, were and will be, new music festival Arena.
Gustovska’s music is like a fine fabric with a nuanced
texture. The ritmical intensity is natural and steady as a breath
or heartbeat, it familiary lays into the whole texture. With
a careful and tolerant attitude towards both musician and instrument,
she fortunes to create significant and unique musical ideas.
Being interested in electroacoustic world, she still respects
all that is natural, acoustic and alive. http://youtu.be/LEMVg7uDClo
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IEVA
KLINGENBERGA
b.
1986
Der Schizophrene, 2012
commissioned by UMS 'n JIP
world premiere Riga, 3/2012 |
Ieva
Klingenberga was born on September 17, 1986 in Riga,
Latvia. She studied Music theory and Composition at the Emils
Darzinš College of Music (2002-2006). In 2006 she started
her studies of Composition at the Jazeps Vitols Latvian Academy
of Music with assoc. professor Andris Vecumnieks, accomplished
her Bachelor’s degree in 2010. Ieva Klingenberga improved
her knowledge of Composition at the Sibelius Academy, Helsinki
in 2008. She studied there as a part of the Socrates/Erasmus
student exchange programme with Lauri Kilpiö. Currently
she studies for the Master’s degree in Composition at
the Jazeps Vitols Latvian Academy of Music with university lecturer
Rolands Kronlaks. Ieva Klingenberga has participated at the
International Latvian Young Musicians’ Camp in Ogre (2004),
the Donaueschinger Musiktage Workshops for students The Next
Generation (2009, 2010, 2011) and the Workshop for students
as a part of the Schwetzinger Festspiele (2010) in Germany.
Her music has been performed at the music festival Latvian New
Music Days in Riga (2011) and in other concerts. Videosample:
"Tänzerin" for voice, flute, percussions, electronics
and video projections: http://www.youtube.com/watch?v=gkBvjJhhBvQ,
http://www.myspace.com/ievaklingenberga/ |
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CAST
Ulrike
Mayer-Spohn (UMS) : recorder, electronics
Javier Hagen (JIP)
:
countertenor, tenor, electronics
Ums 'n Jip : production
LINKS
www.javierhagen.ch
www.ulrikems.info |
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